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Balancing Discipline and Inspiration
by Christof Welsby
Discipline is the scaffolding that lets inspiration climb. I block studio hours on my calendar like non‑negotiable appointments and show up even wh...
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The Art of Letting Go: Knowing When a Painting Is Done
by Christof Welsby
Completion, for me, is a felt click. Edges stop arguing; color settles into its final temperature; my hand reaches for a brush and doesn’t find a r...
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How Meditation Fuels My Painting Process
by Christof Welsby
I don’t sit to clear my mind; I sit to notice it. Ten quiet minutes before painting slows the chatter so I can hear what the work is asking. Breath...
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The Daily Rituals That Keep Me Creating
by Christof Welsby
Ritual protects my practice from mood and weather. I open the studio, sweep a quick path, and mix a limited palette before I check messages. That o...
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Overcoming the Fear of the Blank Canvas
by Christof Welsby
Fear shows up for me as tight shoulders and a need to over-plan. To counter it, I create small, low‑stakes beginnings: tinted grounds, quick charco...
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Studio Organization for Creative Chaos
by Christof Welsby
My studio walks a tightrope between order and entropy.
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The Alchemy of Varnish and Finish
by Christof Welsby
Varnishing feels like sealing a letter you’ve finally finished writing. It changes everything—color deepens, contrasts sharpen, surfaces unify. I c...
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Palette Knives vs. Brushes: When Texture Wins
by Christof Welsby
Some days brushes feel too polite
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Mixing Mediums: Acrylics, Pastels, and Collage
by Christof Welsby
My surfaces are built like palimpsests—layers of different materials conversing. I love combining acrylics with oil pastels, graphite, or bits of p...
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Working Large: My Techniques for Massive Canvases
by Christof Welsby
When a canvas stretches taller than me, my body becomes part of the mark. I paint standing, crouching, stepping back, lunging forward. It’s perform...
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The Secret Life of Brushes: Tools of Emotion
by Christof Welsby
I don’t see brushes as tools; I see them as extensions of temperament.
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Why I Love Heavy-Body Acrylics (and When I Don’t)
by Christof Welsby
Heavy-body acrylics let me sculpt light as much as colour.
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